The Letter String Quartet are thrilled to be working with Chamber Made on Little Operations, to present the development of All that you hear is all that is heard, a site specific work composed by The Letter String Quartet’s very own Artistic Director Extraordinaire, Biddy Connor.
We’re loving spending time in Melbourne’s iconic Nicholas Building developing this show. Come and see what we’ve discovered!
The wattle is out in Central Victoria, which means it’s almost time for BIFEM! This year, the Argonaut Quartet are performing in two very special concerts!
First up is Graphite Barrier on opening night. For this collaboration with Swedish artists Ann Rosén and Sten-Olof Hellström, we’ll be performing the world premiere of Ann’s piece Resilient Memory String.
In our second performance, we’ll be closing BIFEM 2019 with our string quartet concert Motions of Large Real Bodies. We’ll be joined by our dear friend Sam Dunscombe on electronics, so present works by Lucier, Katie Young, and Deniz Nurhat. Finally, we’ll close the festival with an extremely special event, the Southern Hemisphere premiere of Robert Ashley’s String Quartet Describing the Motions of Large Real Bodies.
Don’t miss this extremely special BIFEM! Tickets and details are all at the BIFEM website.
It’s always pretty swell playing Vivaldi’s L’estro Armonico, and all the more so when you get to play it with Libby Wallfisch! Looking forward to joining the Melbourne Baroque Orchestra this September for Wallfisch and Vivaldi.
The Letter String Quartet are heading back to Adelaide to play All the Stories, with the extraordinary Marita Dyson, at the very excellent Nexus Arts. Huge thanks to Nexus Artistic Director Emily Tulloch!
We’ll be sharing the bill with Fleur Green, so it’s going to be a pretty special evening- be sure to book!