It is a lifelong dream to perform Morton Feldman’s epic For John Cage, and I’m so grateful to INLAND for programming it, and to the inimitable Joy Lee for playing it with me.
Come along to the 11th Hour Theatre on 14th August to check it out.
It is my great pleasure to announce the upcoming release of my debut solo album The Target Has Disappeared on the brilliant Swiss label Discreet Editions.
The album comprises some of my favourite new works for baroque violin composed by excellent composers and special friends Natasha Anderson, Alexander Garsden, and Sam Smith. We recorded in various stages over the past few years, with lots of pandemic- and life-related interruptions along the way. I’m so humbled that it has all come together, and grateful to my label and the inimitable Clara de Asís and Mara Winter for releasing it into the world.
You can check it out here from April 7th.
And see some reviews by:
Michele Palozzo at Esteros here;
Ben Harper at Boring Like a Drill here; and
Peter Margasak at Bandcamp here, where we made The Best Contemporary Classical on Bandcamp: April 2023!
Two years ago, whilst standing on a train platform in Frankfurt, I was notified that I was a recipient of a City of Melbourne Arts Grant for a concert series with my early music ensemble Harken Well in 2020. As we all know, things did not quite go to plan.
In addition to a global pandemic, our project faced multiple emergency surgeries, the unexpected and early arrival into the world of Harken Well’s youngest member, and a last-minute bike accident.
After several reimaginings, we are so pleased to share the results of this project- not a concert series, but a beautiful collaborative film/recording project featuring the unique architecture and acoustics of the Norla Dome- just in time to wish you all a very Merry Christmas!
Stay safe, and hope to see you all in the new year xx
This project is supported by