Repertoire

Works written for Lizzy
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Periphery: Vortex for baroque violin, voice and electronics, Natasha Anderson (2018) *^
….. of sediment for mixed ensemble, Vincent Giles (2017)
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Part Sound for traverso, baroque violin & baroque guitar, Dylan Lardelli (2017)  */
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End to Reattain for violin & electronics, Vincent Giles (2016)
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Curious Animals for baroque violin and nylon string guitar, Padraic Mann (2016) *^
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silver as catalyst in organic reactions for baroque violin with classical bow, Vince Giles (2016)
I was only thinking of Jerzy Grotowski for baroque violin and electronics, Kim Cunio (2016)
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CME, 23rd July 2012, (Near Miss) for violin and computer, Alexander Garsden, Lizzy Welsh (2015)
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Three Paths to the Lake for baroque violin, synthesiser and church organ, Rohan Drape (2015)
Crepuscule for baroque violin, traverso, harpsichord and electronics, Simon Charles (2014) *~
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Law II for baroque violin and electronics, Alexander Garsden (2013) *^
Fou for baroque violin and acoustic guitar, Jeanette Little (2013) *
Is for solo amplified violin with delay, Mary Finsterer (2013)
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Prelude for baroque violin, traverse and harpsichord, Peter de Jager (2013)
Nearly Shadow for string quartet, Alexander Garsden (2012)
Open Chain for string quartet, de-tuned harpsichord and Revox B-77 reel-to-reel tape machine, James Rushford (2012)
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Cruel and Usual for string quartet and four bass amps, Cat Hope (2011) *
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*works commissioned/part commissioned by Lizzy
^works supported by the Victorian Government through Creative Victoria
~works supported by the Australian Government through the Australia Council for the Arts
/works supported by the New Zealand Government through Creative New Zealand